Showing posts with label John Ford. Show all posts
Showing posts with label John Ford. Show all posts
Thursday, September 28, 2017
Sentimental Moment
Seeing Donovan's Reef in my queue was all I needed to saunter down memory lane with the Duke (John Wayne/Marion Michael Morrison) and crew - Jack Warden, Lee Marvin, and Elizabeth Allen to French Polynesia, shot in Kauai, governed by Cesar Romero, shepherded by Father Cluzeot, and told with humor even though the themes are corporate greed and bigotry. John Ford set up his usual John Wayne setup with fights and a real international brawl between Australian navy and the Yankee navy (Wayne and Marvin) with one Australian lad evening the odds by turning his hat around and fighting for the Yanks until a winner is declared.
Donovan's Reef is fun and breezy, some amateur critics call it a lazy film, though I doubt the viewers or the actors would agree, and tackles the issues of corporate greed and prejudice, issues that plague us still, though I doubt the Polynesians would have called the Yanks in residence after the end of World War II an immigration problem or would have been xenophobic about them setting up shop with their saloon, shipping business, or hospital with a doctor who makes regular island calls and built a hospital that also trains nurses. From the beauty of the island and the seeming happiness of the Polynesian natives (girls of course), I doubt there was any problems with fitting in and becoming integrated into the society and population. One might say that Father Cluzeot fits in very well even though as a Roman Catholic priest he has centuries of experience in integrating whatever culture the people possess into his world view. The Romans before him and the Roman Catholic Church after the Roman Empire's fall were well versed in insinuating themselves into other indigenous peoples' lives and society even if priests had to change the society to suit Roman Catholicism.
Rome had become adept at making Rome the heart of any people and country, by war at first and then by eradicating any pagan ideology and writings even if Rome had to replace anti-Roman views with more Rome friendly views. Much of this Romanization was accomplished by rewriting any documentation and history they found (hiding the originals where possible in the Vatican archives) and adopting the foreign views and religions into their own pantheon. If you believe what is written in the Aeneid, the Trojans hid themselves from the Greeks, and eventually conquering the Greeks when they became the all powerful and far reaching Roman Empire, by landing in the Italian peninsula and becoming allied with the Etruscans and forming the first origins of Romulus and Remus and the she-wolf that suckled them (Romulus eventually killing Remus) to rise to the pinnacle of the brand new Roman society and conquering much of the known Western world, maybe even to the point of eradicating the Etruscans that first gave them a home and assistance.
At any rate, Father Cluzeot was more interested in feeding, clothing, and aiding the poor than in using monies donated specifically for the restoration of the church's roof. As Father Cluzeot continued to say, "The poor are still with us," when he let everyone, especially the donors, know the poor came first in his mind even if it meant praying in a church with gaping holes that did not keep the torrential winter rains out. Better to take care of the poor than to patch the roof that would eventually sprout more holes with more torrential winter rains in future years. The poor always came first with Father Cluzeot just as the ailing came first with Dr. Dedham.
Donovan's Reef is the usual formulaic John Wayne story where there is a central issue to deal with and at least one brawl/fight to stage and get through. Even watching this favorite movie after years of it sitting on my video shelf, I was struck by the anguished cry "Because we're not white," as if being Polynesian is as strong a prejudice in Yankee minds as being black or Oriental or Hispanic. Maybe in 1963 during the height of the civil rights struggle in America Polynesians were as likely to be shunned in society as blacks, Asians, or Hispanics, but I doubt it. I lived during those time, living specifically in Panama on a U.S. Army base, and the thought that Polynesians were prejudiced against was as foreign to me as Panamanians being anything but welcome. Okay, we had two black maids who worked for us and were paid well, but they were still family to me because as a child living in foreign countries following my father from Army base to Army base around the world it never occurred to me they were less acceptable than our neighbors or the kids I played with on and off base. To a child like me brought up around the world, people were people and beautiful and smiling people were people to get to know and invite home. I didn't know my parents were bigots until nearly half a century later.
Well, that's not completely true. I knew my mother was a bigot when I was a teenager and she went ballistic when she discovered a party and the subsequent slumber party I attended were at a black friend's house. That discovery led to a life long running argument between Mom and me that friends were friends whatever their color and spending the night with a friend was just spending the night with a girlfriend whatever her color because for me then -- and now -- friendship doesn't count whether or not the friend has a better -- or deeper -- tan than I do, except where their tan is darker than mine and I feel pale by comparison.
Mom's response was that spending the night with blacks was inviting trouble which is why she never slept over or visited with a black family friend when on vacation -- and they, if they were her friend wouldn't come to visit on vacation and expect to spend the night in her home. If they were her friend they knew to go to a hotel or motel.
I never understood that and believed Dad would have agreed with me (I later found out how wrong I was -- much later) that a friend is a friend is a friend and color is not a factor. Dad probably rolled over in his grave, as did Mom, because my nephew, J. C., married Ebony and they have a new baby girl as of last year. Ebony, like her name, is black. Dad threw a fit when J. C. took to their senior prom . . . because she was black. That's when I found out my father was a bigot. I knew Mom was a bigot from my teenage years because she despised Asians, especially the Japanese. Dad had been stationed in Korea twice during his 22 years in the Army and Mom openly loathed Asians because Dad had nearly married a Japanese during his first tour in Korea when he went to Japan on R & R and had a child with the woman. Mom's prejudice, I thought, was born out of her jealousy of Dad's previous love and the love of his bi-racial daughter even though her family refused to sanction Dad's marriage to her mother because he was white, a round eye. At least with the Japanese, they didn't give their bi-racial children to the Roman Catholic monastery nearby and raised those bi-racial children in their own homes with their Asian relatives. Bigotry comes from every race and is most often the burden and shame of the younger generations -- if they know about it at all.
At any rate, Lelani's anguished cry still gets to me with the same emotions -- why? She's not someone who should be the source of bigotry then or now, but I am probably still naive in that way. Even at 62, the only bigotry I am aware of is prejudice against Islam because Islam, like the Roman Empire before them, brings death and pain with it. Even the Roman Catholic Church embodies death and pain, not only in their worship of the crucifixion of Jesus Christ, but in their more violent episodes where the Church sanctioned and even authorized the death of nonbelievers.
It doesn't make sense to me -- then or now. Killing believers or those fallen away from the faith is no way to win friends or influence people to your side nor does closing a blind eye to priests abusing children, sexually, emotionally, or physically, let alone refusing to acknowledge the world isn't full of people who choose to love -- and marry -- those of their own gender. In the end, love is at the center of controversy with homosexuality in practice and belief, and was once so accepted in the Roman Catholic Church's earlier history that priests performed marriage ceremonies between same-sex couples and celebrated homosexual liaisons. I guess being a pagan was less an issue among homosexuals than Christianity has been. Better to follow the Greeks with their different words and designations for love. If there is love, then nothing involving that love can be wrong -- or should be wrong -- even if there are different words for love as long as love is the central emotion. I believe the Cosmic Creator would agree.
So here we are with a formulaic John Wayne movie where love triumphs, whether it is love between a saloon singer and a booze hound-fist fight loving and practicing hooligan like Gilhooley (Lee Marvin), a Boston socialite and ex-war veteran turned shipping owner and operator who also owns a saloon, and that same strait-laced Boston socialite and the half-caste Polynesian-American children from her father's second marriage to Manulani, the hereditary Polynesian princess of Haleakaloa. Love is all that matters.
I would take exception to the spanking that "Guns" Donovan dealt to Amelia Dedham even though said spanking is reminiscent of John Wayne and his female costars (Maureen O'Hara in The Silent Man and McClintock!) and his macho attitude toward women. Good thing, even with a fireplace shovel, the spankings he dole out were more humorous than painful -- or fatal as in the case with Muslim women and Shari'a law among those supporting Islamic rule.
In spite of being an atheist and my views on Jesus Christ, I was quite emotional during the Christmas mass at Father Cluzeot's church on Xmas eve. I was feeling nostalgic and touched by the music and the Yule season than any affection for the celebration of the lie that has persisted for 2000 years. I was a child brought up with the Nativity and Mary and Joseph ending up in a stable to give birth to their child. I am just as vulnerable as anyone who hears the myth of Jesus Christ and the midwinter nativity as any pagan which is why the story resonates for so many. It is akin to the stories at the heart of their own religions, which is not so surprising since it was created by Emperor Titus and supported by the Roman Catholic Church for 2000 years and the Romans knew how to adapt local customs and beliefs to fit their own pantheon and control. After so long, it is easy to get it right and to turn enemies minds to a more favorable position . . . even if you have to lie. At least in that regard, Islam and the Muslims have it down pat. Taqiyya is the recognized Islamic tool just as Christianity has been practicing their lies without the openly acknowledged version or a name that is synonymous with lies, unless you consider Nativity and Lent and crucifixion the same as Taqiyya. When lies are at the center, anything goes.
That is all. Disperse.
Saturday, February 13, 2016
Of Mice and Men

While
checking stats on my blog I noticed that I get a lot of traffic from
Russia which reminded me of something a Russian told me. "You write like
John Steinbeck. He's very popular in Russia." At the time it seemed
appropos of nothing. I admire Steinbeck and have read most of his books,
even some of the lesser known books. Steinbeck wrote about the everyman
from people displaced from the once fertile middle of the USA that
became the Dust Bowl and spawned black hurricanes and a black death
unlike anything that came out of the coal mines to privileged brothers
brought up by their father when their mother ran off and either became a
whore or returned to prostitution, and wealthy in her own right. East of Eden
was Steinbeck's version of Cain and Abel and very effective, stirring
up quite a brouhaha because of the sex and violence and shattering of
middle class morals.
As I looked for a picture of Steinbeck I was arrested by the way he reminded me of Ward Bond, a famous actor that starred in several movies directed by John Ford and a close friend of Marion Michael Morrison AKA John Wayne. Bond left Wayne his shotgun in his will.
Looking for photos of Ward Bond made me aware of something I didn't realize growing up. He purses his lips a lot, rather like Betty Boop or some pinup girl but with a rougher, tougher, more masculine purse. (No, I do NOT mean a man purse. A manly purse -- of the lips.)
As I looked for a picture of Steinbeck I was arrested by the way he reminded me of Ward Bond, a famous actor that starred in several movies directed by John Ford and a close friend of Marion Michael Morrison AKA John Wayne. Bond left Wayne his shotgun in his will.
Looking for photos of Ward Bond made me aware of something I didn't realize growing up. He purses his lips a lot, rather like Betty Boop or some pinup girl but with a rougher, tougher, more masculine purse. (No, I do NOT mean a man purse. A manly purse -- of the lips.)


I could not find a good photo of Bond with a mustache, but the similarity is obvious -- at least to me. Steinbeck was rough and tough without the pursed lips. Bond and Steinbeck were contemporaries and were some of my idols growing up.
It's flattering to be compared to Steinbeck, even from Russians. I do like his clear, straight forward prose and the way he handles writing. I even enjoy his form of rabble rousing and the thread of brutal truth that runs through his stories. You don't get much more brutal than a mentally retarded behemoth who likes to kill rabbits guided by a much smarter and smaller man that keeps his feeble friend out of the worst of trouble while they drift from place to place eking out enough to live on during the Great Depression. Of Mice and Men was a subtle and brutal picture that could almost happen nowadays, except without the gloss and glitter of technology in the background. Life for drifters and bums and alcoholics and the detritus of society was lived in a more rural landscape and often far away from the concrete alleys of Skid Row and downtown New York City before Giuliani got rid of the homeless -- or at least off the streets.
Every society has its homeless, people who can't or won't fit in, feeble-minded no one wants to take care of (not even the state), addicts and alcoholics, and the budding serial killer or soul drawn to the gritty reality of taking life, be it animal or human. It's in the DNA and probably bred in the bone by some outside force of the ever spinning roulette wheel of genetic legacy. We were not all born to be peas in Mendel's garden -- or the unfortunate souls caught up in Mengele's grasp. Steinbeck saw it all and carved out his landscapes and people them with those from different walks of life in all their brutal and angelic and commonplace glory.
When I think of Steinbeck I remember something his wife said about the look he got in his eyes sometimes when he stared at her. It was a 50-mile stare where he didn't seem to see her except as a character in one of his books. She said she felt like he was dissecting her and putting her back togeter in very different ways, memorizing looks and gestures, and not seeing her at all except as a tool for his books. Most writers get that look and it usually means something is beginning to boil to the top of the stew constantly fermenting in the mind. I'm sure I have it, though I try to be more circumspect when vivisecting people for stories or remembering them to jot down later in my paper journals where I can sprawl and conjecture and let off the brakes of grammar and rules and styles just to let the words flow from an oft opened vein. I've always been that way so it wouldn't do to quantify my habits because they are as much a part of me as the color of my eyes and thick ankles. They are born in the bone.
Even though Ward Bond pursed his lips to appear however he wanted to appear or give in to the tics and twitches so few of us are aware of or feed the mirror the latest look in progress, I still see him as the everyman, a tool for writers to guide and use to give life to their words. Whether he was a wagon train master or a village priest hip deep in the rushing waters of a stream hunting trout, he was -- and is -- the kind of man I grew up believing was the norm. John Steinbeck put the words in Bond's and other actors' mouths and fashioned a window for the everyman to see himself at his best and worst, vulnerable and unguarded, and for that I am indeed flattered to be seen in his shadow and reaching someone out among the masses fashioning new windows.
That is all. Disperse.
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